samedi 8 septembre 2012

Maison et Objet . January 2012 Collection


Here is my booth and collection of previous  Maison et Objet  (this year in January).
I am so busy this Fall that I had to cancel my participation to the show. I am glad to be working on a fabulous project right now and I will certainly not complain  but I am also a little sad since I will not have the pleasure of seeing my clients and of sharing a new collection with them and with new people from all over the world .

 I particularly enjoy the creative process of imagining a new collection and finding ways to present it.

I will be back on the show at Scéne sd'Intérieur in January …I already have ideas for the first 2013 collection.

I hope you will enjoy this series of pictures.









Les Amateurs 120 x 280 cm (after Watteau)

detail


Petit Soldat 140 x 140 cm (after Tiepolo)




Detail of Frondaison 125 x 290 cm


Les Fontaines 95 x 145 cm ( after H.Robert)


detail


Gotland ( and Profils) 130 x 290 cm


detail

Profils 17 x 25 cm a piece





Detail of Les Grands Vases 125 x 280 cm


Jean-Baptiste 150 x 150 cm (after Chardin)


detail





Detail of Singerie Régence 120 x 180 cm


Main au Compas 60 x 90 cm (after XVIIIth century painting)




Hortense 55 x 65 cm (after Sir J.Reynolds)

detail




Les Choux 120 x 280 cm ( after A.Blomaert)



detail



vendredi 4 mai 2012

Chinoiseries I

The taste for designs and ornaments inspired by Chinese models started up in Europe in the XVIIth century, in England and the Netherlands first. These countries had indeed already established, at that time, strong and steady business relationships with the East.
It came to France a little later and really became a trend in the beginning of the XVIIIth century. This fashion gave birth to the most charming things, whether it be painted furnitures, fabric designs, paintings, tapestries and the like.
Chinoiserie designs were showing the everlasting seduction of exoticism but also expressed a real  admiration for chinese arts as well as for some aspects of chinese philosophy and society.

I created a "chinoiseries" collection for a Maison et Objet show a few years ago and ever since then I have orders for such designs. It is fun painting, full of charm and humor ; it is a nice playground for fantasy, nice color harmonies and strange vegetal forms...


Here is a version of a panel by A.Peyrotte. Casein on canvas ( approx. 210x100cm)

Pagode II


This another verison, the first I painted in fact, of the same design, on paper ( approx 180x75cm)

Pagode I


Here is now a series of paintings after the chinoiseries cartoons of F.Boucher.

Cipango I (150x85cm)



details on the face, before the aging proceses.



Cipango II (150x85cm)

Tian Shan ( 200x130cm)


The famous Giandomenico Tiepolo also painted a couple fo chinoiseries that I worked from in the following paintings









The next one is from a french ornemanist , Pillement.

Fleurs de chine ( 196x112cm)


and this very last panel is freely inspired and composed afer different designs of Pillement.


Rouge Orient ( 170x110cm)










lundi 19 mars 2012

Mats Carlsson

After Lotta's , here is Mats' ...








Mats and Lotta  have been running one of the leading schools in the industry , Palm Fine Arts  , for quite a few years now, ( have a look at their website ) , they organized Salon in Norrkoping in 1999 and propose a three week summer class ( see this post about 2011 mural week) each year . 

Lotta Olsson

I have been in this business for 25 years . I am lucky enough to know many of my peers and fellow painters, in different countries. Many of them have become friends , very dear friends.
Two of them are special for two reasons:
- they were the first ones to invite me to come teach in their country and consequently upgrade me to the status of "international" teacher ( woww!).
-they live in Sweden and apart from the mountains where I now live , the other place my wife and  I cherish in Europe is their homeland.

They are the "talented swedes", Mats Carlsson and Lotta Olsson.
I have seen them grow as painters and artists ( we have met each year for 13 years ) , I have always loved their style . They are extremely nice people , their work is full of sensitiveness , their skills remarkable and they are sincerely humble. I never get tired of hanging around with them .
Here are examples of Lotta's work ...